What is memory? What does it mean when we say, "My body remembers”? Is memory really a narrative, a creative act?
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Reading 02
Can we understand something that is (in)visible? Can we source our bodies as a device to listen to the past and the significant variances in our auditory memories to make sense of the existing noise? How can I expand these archeological interpretation discourses into facts by interrogating and comprehending sonic reconstructions to engage and confront?
The second sitting is related to the compulsion to empty the body and execute through conversation—a need that coexists with an opposing drive to fill in the empty space in the room. The sound was three-dimensional, deep, and textured. It also includes an understanding of acoustic energy in relation to space—reinforcing or dismantling each other.
I finally heard a line that made sense of life.
The remnants of the past grew even heavier due to this self-created weight. Her voice was a reaction to that deep silence that had concealed a connection between the plaster and the body. The breathing pattern resuscitates the weight to preserve this new wait(ing) and a trace of this new memory.
It became an attentive engagement with the room that has strengthened my understanding of how the reverberation of an internal sound could actually bring back the resonance of entanglement and a concession of an extra weight I enjoy.
Reading 03.
Weight(ing)
Documentation of the making
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