Archaeologists dig into the ground to assemble cultures of the past by collecting them for display as objects of knowledge. Can we use the method of archaeology as a metaphor where remembering becomes a way of digging?

Memory does not exist in reality but lives in our interpretations, ideas, and imaginations—the invisible and visible. Can it be excavated? What tools would be required? And what senses are activated? The work is about re-envisioning and re-imagining displaced images — a latent memory of a collective experience that defies ownership and creates a physical battle of senses.